Prism final night
Paul Glock
Paul has run Prism at the sanctuary for 6
years now and last night saw the curtain come down on what was apparently a
fantastic monthly event. I wish I could
compare last night to other prism events, but this was my first, and unfortunately
last one. To be honest I feel cheated,
and given the quality of the music and musicians on show here, pretty pissed
off.
Paul obviously loves what he does, and he
writes beautiful songs. If you can
imagine Del Amitri and the Beautiful South in a love triangle with the Echo and
the bunneymen (circa Evergreen – this may not have been light-hearted but it
wasn’t that dark) you get an idea of how Paul sounds. But his lyrics are something else. Wonderfully scripted, his voice may not have
the most amazing range but he does amazing credit to his work. Paul is perfect in the small confines of the
Sanctuary, I don’t believe he has the vocal strengths to do justice to his
music in a larger venue, but here he was just spot on and entertaining.
I can’t wait for him to do a new night,
wherever he finds himself.
Thom Gilbert
Thom reminded of James Blunt. But a version of that overblown, arrogant
twat with self doubt, talent, song writing skills, dextrous fingers on the guitar
and a crystal voice. This is a guy who
has spent too long in a room by himself though, learning his mastery of the guitar
and now needs to be released to the world.
With all but one exception, this was introspective music, yet he also
showed, on the other song, wonderful dark humour. I think the last time I saw a guitarist with
the skills Thom has I was watching the Red Hot Chilli’s, and funnily enough I
wasn’t sat two feet away.
This may sound a bit negative but it
doesn’t mean to be, this guy is amazing.
If you can see him somewhere as small as Sanctuary do so. Please.
You’ll thank me for the tip.
Ben
The most accomplished of the 3, and yet the
one I enjoyed the least. Although to be
fair that’s like saying that Cristal is my least favourite champagne. I would still drink the stuff every moment of
every day if I could afford it. Ben
writes excellent songs and has a better vocal range than the other two and is
more effortless on stage, but I always felt he was doing an “unplugged” set, i.e.
this is a bloke who would work wonders with an equally talented band behind
him. Indeed one song in the middle of
the set (I can’t remember the name, it was the bluegrass, “Guilfest” one if
anyone else was there) could have been pulled straight from Nirvana’s Unplugged
in New York album. Ben was the only
person to get the crowd singing, which is something I’ve not previously experienced
in the sanctuary.